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Peru

Nazca

The Desert Lines
Nature GatewaysAncient Cities
Collections: Desert Oases
Portrait

The geoglyphs were made between about 500 BC and AD 500 by removing reddish surface stones to expose pale ground beneath, a technique that only works where there is almost no rain and no wind at ground level. Maria Reiche, a German mathematician, spent fifty years mapping and defending them from a hut on the edge of the pampa; the purpose remains unresolved and probably concerned water.

Why go

Lines only legible from the air — geoglyphs up to 370 metres across, cut two thousand years ago. A desert that preserves everything — almost no rain, so the marks survive on the surface. Chauchilla cemetery — pre-Columbian burials with hair and textiles intact, in situ. Cantalloc aqueducts — spiral wells still delivering water to fields today.

The character

The Nazca lines were made between about 500 BC and AD 500 by removing reddish surface stones to expose pale ground beneath — a technique that only works in a place with almost no rain and no wind at ground level, which the Nazca desert has. There are hundreds of figures: a hummingbird, a monkey, a spider, a 370-metre pelican, and thousands of straight lines and trapezoids running for kilometres. Maria Reiche, a German mathematician, spent fifty years mapping and defending them, living in a hut on the edge of the pampa.

Their purpose remains unresolved and the honest answer is that nobody knows. The leading explanations involve water: pointing to sources, or ritual walking to petition for it, in a civilisation whose survival depended on the aquifer they tapped with the Cantalloc puquios — spiral wells and underground channels still functioning after 1,500 years. The town of Nazca itself is small and dusty; the reason to be here is thirty minutes above it in a light aircraft.

Places of character

The overflight — thirty to thirty-five minutes in a small plane; choose an operator with a good safety record. Mirador tower — a roadside platform giving a ground-level view of three figures, if flying is not an option. Chauchilla cemetery — mummies in open tombs with hair and weaving preserved by the dryness. Cantalloc aqueducts — spiral stone wells you can walk down into; still irrigating fields. Maria Reiche Museum — her house and grave on the edge of the pampa, and the story of the mapping. Cahuachi — a ceremonial adobe complex twenty-five kilometres away, larger than the lines' fame suggests.

The way to do it

Fly early — the air is calm before ten and the light is angled, which is when the lines show. Take motion sickness seriously; the plane banks hard over each figure. Choose your operator on record rather than price. And spend the afternoon on the ground sites, which explain the water and therefore the lines.

One perfect day

At the airstrip by seven, in the air by eight: thirty-five minutes of steep banking turns over whale, astronaut, monkey, hummingbird and condor, each announced and then visible for eight seconds. Back on the ground, shaky. Breakfast. Late morning at Cantalloc, walking down into a spiral well where water still runs. Lunch in town. Afternoon at Chauchilla among the tombs, where the dryness has kept hair and cloth for a millennium and a half. Evening at Maria Reiche's house, and the desert going pink over the pampa she spent her life protecting.

Grand hotels

n/a — Nazca's hotels are simple; the region's comfort is in Paracas, two hours north on the coast.

When to go

Best expression: May to August, the cooler months, with calm morning air for the flights. Consider: December to March, warmer, though afternoon winds are stronger. Avoid if possible: nothing seasonal; but always fly in the morning.

The frame

Ideal stay 1 night · Minimum a long day from Paracas · Best arrival by road from Lima, seven hours, or Paracas, two · Airport small airstrip; LIM is 450 km · Walkability the town only · Best without a car yes, with bus and tours

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